Adventures on the E-Book Frontier: Dispatch Two

When you buy a house there are three words you must never forget: “Location, location location.” I think, right or wrong, this truth extends to business and so when I went to meet my new publisher to see his digs, imagine my delight when I found myself at…..

Yes, Richmond and Spadina, the pulsing heart of Toronto’s cooltown. Some might accuse me of being shallow for being pleased that Iguana Books wasn’t run by a lone book nerd living in his parents’ basement in the outer reaches of the Baharimba. No my book nerd, my publisher Greg Ioannou (who bears an uncanny resemblance to a young Dumbledore), can actually afford to pay rent in a large loft in downtown Toronto. Good sign. That means he knows what he’s doing.

Greg also has staff; a band of eager and talented young editors, publicists and designers. In short, Iguana Books, a 21st century publishing house, looks and functions pretty much the same as any of the smaller traditional houses.

 

So how does the process differ than the old way? Today’s tale isn’t about the creative side (more on that in a later dispatch) rather it’s a quick primer on how the digital end of the business works.

First, the manuscript (after being professionally edited to within an inch of its literary life) is formatted to fit the many different e-readers on the market by Sharlene Hopwood. Most e-readers use e-Pub, but Kindle uses Mobi.

Next it’s off to Ingram Books, which has the industry’s largest active print inventory, where they’ll be digitizing my novel. Ingram sends it to Amazon (or anyone who deals in the e-book game. It’s staggering how many online book sellers there are and Iguana has forged relationships with them all over the world). Then you order the book from Amazon, who sends you a copy of the file and easy peasy you’re reading.

A small caveat and this is merely indicative of the market at large. Let’s say you bought a Nook and you want to purchase a Barnes and Noble title. That process is so simple my dog could do it. However if you’re buying books from another source, there’s an extra step in file conversion. A slightly unexpected stumble I wasn’t anticipating. It’s not really that big of a deal once you figure it out, but certainly worth mentioning if you’re in the market for an e-reader. In other words, make them explain it to you.

Next week, the mystery of how the print side of the business works, courtesy of  the welcoming gang at my new publishing house….Iguana Books

 

 

4 Responses to Adventures on the E-Book Frontier: Dispatch Two

  1. If you have any other questions fire away! This is a lot of fun. I hope you’re enjoying the journey.

  2. Interesting; thanks for the post, and I can’t wait to hear more about your journey. No one bats an eyelash at musicians going digital outside of traditional record labels. It wouldn’t surprise me if the same is true for authors before long.

    A while ago I was talking to a guy who designs fonts for electronic devices. His point was that now you can get so much more detail than on the old, pixelated digital screens of old, to the point that you no longer have to think about design for electronic surfaces as ‘degraded’ or of lesser quality. I think that’s part of the game-changer in ebooks. It’s possible now to design ones that are truly beautiful.

  3. Thanks for this interesting read! If you don’t mind, I might have my students examine your “Adventures in the E-Book Frontier” series to better understand how e-book readers are transforming the market.

    Can you clarify Ingram’s role in this process? Do they receive your manuscript to digitize in case anyone wants a printed copy instead of a digital copy? If so, what does Lightening Source do exactly? Or does Ingram provide some sort of electronic inventory / tracking / billing service for Amazon?

    Regards,
    Jeff

    • Jeff I would love love love to get your students involved in this. Actually I have been wanting to reach out to schools everywhere since this is such a new technology for all of us. I am in Italy right now at the Architecture Biennale and have become painstakingly aware that books as we know it are on the way out. Printed material really has a very limited shelf life. The Russian pavillion, for instance, only used tablets and gave out pins encoded in such a way that that you would take the pin home, scan it in front of the computer camera and everything would be revealed to online.Same thing for the Catalans, the Romanians, the Serbs and a whole whole lot more. All to say, we have a way to go with eReaders to be sure, but for the new generation, print is really going to be gone. Other than as something very special that you might purchase. More later and thanks for your interest and keep the blog comments coming. And please pass my blog onto anyone you think might be interested in this journey. C

Leave a Reply

Your email address will not be published. Required fields are marked *

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>